a study of monochrome

02 · september 2026

Resend, Vercel, Linear and Raycast look alike. They aren't built alike.

the black

Two are pure black. Two have blue in them. Raise the exposure.

Aa

resend

Aa

vercel

Aa

linear

Aa

raycast

what shows through

Linear and Vercel make their cards solid. Resend and Raycast let the page show through. Raycast does it to its text too, and its faint text gets hard to read.

under the card

title 18.43

body 8.37

faint 4.34

resend, see-through

title 17.94

body 8.13

vercel, solid

title 18.73

body 6.13

faint 3.45

linear, solid

title 20.04

body 7.31

faint 3.75

raycast, see-through

the numbers are contrast. under 4.5 is hard to read.

the header

Vercel's is solid black. Linear's and Raycast's are frosted glass. Resend's bottom edge lights up when something passes under it.

whose header

the page underneath

Drag it up under the header.

Deploy finished

Production is live on the new build.

Three new issues

Two are assigned to you.

Email delivered

Opened 4 minutes after it was sent.

product pricing docs

the edge

Each one draws the thin line around a card its own way. Look at the corners.

magnification

resend

vercel

linear, lit where your pointer is

raycast

the color

None of them puts color on the page itself. Raycast pours all its red into one picture. Resend turns its own 3D gray.

filter on the canvas

one canvas

a stand-in for raycast's 3D hero

the type

Resend sets its headlines in Domaine, a serif, and is the only one still using gradient text. Vercel uses Geist. Linear and Raycast both use Inter.

Gray on black

resend · domaine

Gray on black

vercel · geist

Gray on black

linear · inter

Gray on black

raycast · inter

the blur

Of the four, only Linear moves with blur. Its headline comes into focus.

The heading resolves out of its own blur

start state

The black is the easy part to copy, and it's the one thing all four share.

measured from each homepage on 23/9/2026. the fonts are stand-ins.